THE PAPER TEACHES YOU, 2003
Project at University for Pedagogic, Ljubljana
DAILY ISN'T A NIGHTLY, 2004
TEXTS, 2000
Culture is for everybody; art is for only one. Culture is food; art is hunger. Culture is prison; art is freedom. Culture is using; art is not having. Culture is functional; art does not function. Culture is convention; art is the violation of convention and culture. Culture is language; art is barking. Culture is the dress; art is the woman. Culture is old; art is beautiful. Culture is national; art isn’t.
POSTCARD, 2003
T=Top of all
Subject = name, date, place & time
A=Above all
Hey you!
Hope you are doing well, hope to see you in near future?
otherwise, I suggest you take a look around, if you have time for travel.
you won't be sorry!
talk to you later
Best!
C=Center of all
You get lost, place is OK, feeling wide. yesterday - everything seems so far away - I received your post-card from XXL post-platz. look - truly look - unfortunately I am not in best place and shape and not exactly flush, but still hoping to be better.
slovenia is getting frustrating, a bad taste and there is no harvest for me to enjoy. ljubljana is still (indoor&outdoor and in&here&there). time&place it’s not sensitive. it's hard to make things happen, that's sad but true about this place. kiss them all!
I don’t admire nonsense and I feel homeless. even future seems pointless to me. try to shi(f)t from production to consumption, but really wish to enjoy spirit of work, life and (in) nature. I don't want to keep on dying here for months, which I hope will not turn into years. wish to escape soon. sorry, this time I'm not deaf-and-dumb and think out loud...
see you in support ((wowow-land))
all the best,
a
in ljubljana, Dec 2002
D=Down below
SLEEP WALKER (THE THIRD MAN) I., 1996
sleepwalker. out of a bed, out of sleeping, horizontally, from one sleeping to another. the day time, the night time. where do I stand, where did I lose the standpoint. this is the way on which the way also ends. The installation in space is composed of pillows situated on/along the staircase as the place of passage. Generally we do not live on starcaises, they primarily serve for. Walking on physically soft and symbolic pillows constitutes a route for different relations and meanings of look/space/touch in art.